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Slim Whitman
Born:  January 20, 1924
Died:  June 19, 2013
KWKH Louisiana Hayride
WSM Grand Ole Opry
WFLA Tampa, FL
WHBO Tampa, FL
WDAE Tampa, FL (1948)
KWKH Shreveport, LA (1950)

About The Artist

In Progress...

Slim Whitman, the man with the unique crystal clear soaring vocal style, was born Ottis Dewey Whitman Jr., but his friends called him O.D. His childhood was spent in Tampa, Florida, with his parents, two brothers, and two sisters. His two greatest loves during the early years were baseball and fishing. Singing was the furthest thing from his mind; although he did listen to Montana Slim (Wilf Carter) and the yodeler Jimmie Rodgers on the radio and when he wanted to he could match their yodels note for note.

Church has always been an important part of Slim's life. He is a member of the Church of the Brethren. It was there, at the age of 15, that Slim met and fell in love with Geraldine Crist, the new pastor's daughter. He and Jerry were married and they settled on forty acres nestled in the woods south of Jacksonville, Florida. They named their small haven "Woodpecker Paradise." Jerry has been Slim's inspiration throughout the years. They would eventually have two children, Sharron Carlene and Byron Keith. Sharron lives next door to Slim with her family, and Byron is a gifted singer and song writer, who became a big part of the Slim Whitman Show.

Slim worked in the Tampa shipyard as a shipfitter and boilermaker until World War II. In 1943 the young Floridian was assigned to a troop transport, the U.S.S. Chilton, where he saw action in the South Pacific. To stay in shape and pass the time he took up boxing. On board he found an old guitar, strung it backwards to suit his left-handed style, and taught himself to play. It wasn't long until he joined a small group and began singing to his fellow sailors in a weekly entertainment program called "Happy Hour." The first song performed for the all-sailor audience, "When I'm Gone You'll Soon Forget," was greeted with a few boos and hisses. Understandably, this song was a poor choice to sing to a ship load of homesick boys missing their sweethearts. Slim changed to up-tempo numbers and became a hit with his shipmates. When he wasn't entertaining the battle-fatigued sailors by sparring with an opponent in the boxing ring, he could be found singing and yodeling. One evening at dusk off the island of Okinawa, a Kamikaze slammed into the mast pole, sending it crashing to the deck, where Slim had been standing just moments earlier. When asked what he did when the barrage began, Slim said, "I just tried to dig a hole in the deck." It was a close call, but someone was looking after the young sailor. A twist of fate saved Slim a second time when orders arrived transferring him to another ship. Captain Guisenhoff was not too pleased with this, as he recognized what a tremendous morale booster third class petty officer Whitman was for his battle weary men. Thankfully, the orders were changed. The ship Slim was scheduled to transfer to was later sunk in the battle of the Leyte Gulf taking all hands to the bottom of the Pacific.

After the war in 1946, Slim went back to work at the Tampa shipyard and played baseball during his off hours on the company team. It wasn't long until his athletic prowess was discovered by scouts for the Plant City Berries, a Class C team in the Orange Belt League. Slim's 6'2" stance made him a formidable and powerful batter with an average of .360. He excelled on the pitcher's mound and led the team to a pennant in 1947 with a record of eleven wins and one loss.

Slim hung up his glove in 1948 and began singing on various radio stations including WDAE, WHBO, and WFLA in Florida. He formed his own band and sang to anyone who would listen. They soon gained the attention of the owner of a Tampa supermarket, who agreed to sponsor "Slim Whitman and his Variety Rhythm Boys." It was at this time, prior to his introduction to RCA records, he took the name Slim. It appears on his very first record a 78 RPM one- sided release titled “Way Down In Florida, The Only Place To Be.” Slim paid $50 for 50 pressings of the record and he and his dad hand delivered them to radio stations in the area. Slim doesn’t even have this rare release and there is only one known record that survived the over all these years.

It was after this release that Colonel Tom Parker, then Eddy Arnold's manager and later Elvis', saw Slim at WFLA radio, liked what he heard, and sent an acetate to RCA records. This led to Slim's first recording contract in 1948. Colonel Parker was too busy with Eddy to manage Slim, so he turned the job over to his stepson Bob Ross, who incidentally is the voice heard doing the narrative in one of Slim's first recordings "Paint a Rose on the Garden Wall."

At one time early in his career he was called "The Smilin' Starduster," the man whose soaring falsetto could surely dust the stars. This is where the name of Slim's band, the Stardusters," originated. Slim recorded 10 songs for RCA. The young back-up musicians used during this particular session would become stars in their own right. Anita Kerr of the famous Anita Kerr Singers performed on the piano and organ. Chester (Chet) Atkins and Jerry Byrd were on violin and guitar. Henry D. Haynes and Kenneth C. Burns (Homer and Jethro) were the musicians who played the guitar and mandolin. The RCA release was distributed on a 10" album entitled "Slim Whitman Sings and Yodels." It would be released later as a full sized album, "Birmingham Jail." The ten songs recorded for RCA have been released numerous times on 45's, 78's, tapes and in album and CD form around the world.

The first single from this session, "I'm Casting My Lasso Towards the Sky," was suggested by Jerry and would become Slim's theme song, the perfect vehicle to spotlight his yodeling expertise. Slim has a range of 3 octaves and is a master yodeler who was once said to be "the only man alive who could out sing the steel guitar." Slim has the remarkable gift of being able to slide into a beautiful falsetto break in the middle of phrases, words, and even syllables. He has the uncanny ability to know just where this beautiful technique will fit into a song. He doesn't use it in every song, but when he does, it is something beautiful to hear. In addition to his incredible range and vocal technique, he is also an excellent whistler. People have been trying for four decades to peg Slim's style. Although he has been categorized as a Country Western artist, he transcends all types of music. Slim is a balladeer with a velvet smooth voice, whose choice of material is distinctive and so, too, is its presentation. He knows what the public wants and knows how to breathe emotion and feelings into his songs whether they are recordings or live performances.

"I'm Castling My Lasso Towards the Sky" caught the attention of Lew Chudd, president of Imperial Records in Los Angeles. Imperial would later become United Artists, then Capitol/EMI records. Slim was soon signed to a contract with Imperial, an affiliation that would span 27 years producing millions of sales and numerous hit records.

Slim's first major chart buster was another song selected by Jerry an operetta number written by Bob Nolan, leader of the Sons of the Pioneers. The song was "Love Song of the Waterfall." Slim took a lot of criticism from the band when he announced he was going to record this song. Never being one to take the conventional way of doing things, he decided early in his career to sing what he thought the people would enjoy hearing. He refused the truck driving, drinking, cheating songs and opted instead for the romantic ballads, love songs, and western songs that had proven their worth through the test of time. Slim strongly believes in doing recordings that he "wouldn't be ashamed to sing in church.

On August 20, 1949, Slim made his premiere national radio appearance on the Mutual Network's, "Smokey Mountain Hayride." He was hailed as "the new sensation of the folk music world." Within two weeks, he was the star attraction in a new show called "Slim Whitman and the Lightcrust Doughboys.” In May 1950 Slim Whitman became a member of the Louisiana Hayride. Hank Williams, who was leaving the Hayride at the time, advised Slim, "Just go out there and give 'em some yodelin'." The pay was eighteen dollars a week and left a lot to be desired, so Slim took a job as a postman in Shreveport, Louisiana, to feed his family, which by this time included his daughter Sharron Carlene.

It was while with the Louisiana Hayride that Slim and his steel guitar player, Hoot Rains, created what would become a major part of the Slim Whitman sound, the "singing guitar." The soaring notes of the steel guitar can be heard in many of Slim's early songs. It all started by accident in the classic, "Love Song of the Waterfall."

One night while performing the song, Hoot overshot a note and sent it soaring skyward. Slim liked what he heard and worked this unusual new sound into his songs. They called this new technique "shooting arrows," and this new term would be used by steel guitarists around the world. They perfected the new sound and introduced the "singing guitar" on the Hayride to thunderous approval.

"Love Song of the Waterfall" was released in 1951 and shot up the charts to the number two position. That song was soon followed by the most popular Country Western record of the year and Slim's first million seller, "Indian Love Call." With the smashing success of this release, Slim asked for and was granted a leave of absence from the post office. Next came "Keep It a Secret" and "China Doll" followed by hit after hit.

Another song that Slim wanted to record came from the same Sigmund Romberg musical that produced "Love Song of the Waterfall." This was a song that nobody, but Slim thought would succeed. In 1954 Slim recorded this second American million seller, "Rose Marie." With the singing steel guitar and smooth falsetto breaks, it quickly climbed to the top of the charts. A promoter managed to have it played to the English people via a radio station in Luxembourg. It sold an additional million copies there in record time and topped the charts in the number one position for 11 consecutive weeks from July 29th through October 7th, 1955. This record-breaking feat was held by Slim for an incredible 36 years! Slim has recorded five different renditions of this great song over the years. It also became a million seller in Australia along with "Indian Love Call" and "China Doll".

On July 23, 1955, Slim Whitman joined the Grand Ole Opry, but the massive excitement generated by "Rose Marie" and the hits that followed could not be ignored, and he was off on what was to be the first of many tours of the United Kingdom. Slim was the first American country artist to play the prestigious London Palladium in 1956. Tickets were sold out 7 weeks in advance of his two week appearance. It was "China Doll" that brought forth spontaneous standing ovations at every performance. Slim's only motion picture appearance was made at the Palladium in a movie titled "Disc Jockey Jamboree."

They filmed Slim performing "Unchain Your Heart" and included it in the movie.

Slim's popularity in England earned him number one albums and singles time and time again. His "Red River Valley" album established Slim as Britain's number 1 country singer. The album secured the number one position on the Pop album chart over rock groups Abba and Queen, which held second and third. This was just one of many releases that would cross over to the pop charts. The British love affair with Slim spans nearly 5 decades. Slim was voted international male vocalist of the year in England in 1978, 1979, and 1980. His concert tours were always sold out weeks in advance.

In 1965 Slim did an extensive tour of South Africa. While there he recorded a few albums that have long since become rare collector's items. One contains two gospel songs that Slim sings in the Afrikaans' language.

He has toured Germany and made many visits to Australia and New Zealand. EMI records in Australia recently presented Slim with two double platinum records.

As Slim entered the 60's, Country Music in general had taken a back seat to rock 'n' roll. Just when it appeared that it was starting to slow down the Beatles hit the airwaves in a big way. The market was all wrapped up with the Beatles and the Beach Boys and didn't seem to have time for a yodeling country artist. So during the next two decades Slim concentrated on recording. He did Irish songs, love songs, yodeling songs, gospel, Christmas, and country songs. Slim continued to make the charts with gems like "Cattle Call," "Serenade," "Tumbling Tumble Weeds," "More Than Yesterday," and "Twelfth of Never" just to mention a few. During the 60's and 70's, thirty-six of Slim's best albums were released. In all he would record 42 albums while with Imperial/United Artists.

In 1979, Suffolk Marketing wisely decided to do a TV album featuring 20 of Slim's songs. Having seen the countless number of record pitches flooding the airways, Slim was not too impressed; so when they asked him to do a commercial, he did not exactly jump at the opportunity. Byron and Jerry talked him into it, and the rest is TV marketing history. The company pressed 5,000 records and ran a limited number of commercials in a test market. "All My Best" sold 1,200,000 albums in the first few weeks, an achievement never done before by any recording artist or group! It eventually sold 4,000,000 copies making Slim Whitman the biggest selling record star in TV music history.

In 1980 Slim signed with Cleveland International (Epic) Records. It was during this period that he hit the charts again with a song that suited his style to a tea. The song "When" climbed the charts to the number 14 position. He also did "That Silver Haired Daddy of Mine", "I Remember You", and a beautiful duet with Byron, "Four Walls." During his four years with Epic he would do five albums.

Slim Whitman's music has been an influence on three of the biggest rock 'n' roll artists of this century. Elvis Presley and Slim were good friends touring together in the mid-fifties. Elvis made his stage debut on the Slim Whitman Show in Memphis, Tennessee, and they toured together. At the time Slim was making $500 a show and Elvis $50. One time Slim made the mistake of loaning Elvis his coat. They all traveled together between small towns going from show to show by car. It was during one of these trips that Elvis traveled in his stage clothes and then decided his jacket was too wrinkled. Somehow he talked Slim out of his jacket. It was at this point in Elvis' career that he took a notion to throw something out to the audience. Slim said, "That's the last time I loaned him any of my clothes."

Paul Mcartney of the Beatles was impressed by Slim's left-handed guitar style and vocal range. Michael Jackson was a fan and hoped to meet Slim in person one day. He was especially fond of Slim's rendition of "I Remember You."

Slim's music has touched many peoples lives deeply. Audie Murphy, the most decorated soldier of World War II, was tormented with memories of the war and had trouble sleeping. The only thing that would totally relax him and help him to sleep was listening to albums from his Slim Whitman collection. A personal appearance didn’t go by that someone didn’t tell Slim that they were near the end of their rope when they heard his beautiful voice on the TV commercial, ordered the record, and his music gave them the will to pull through. This is why Slim spend so much time with his fans. He could be found, often into the wee hours of the morning after his shows signing autographs and having pictures taken with his fans. He loves his fans and tries to meet as many as he can. He has even been known to take his guitar into the parking lot to sing to people who couldn't get into one of his performances.

Over the years Slim has received hundreds of awards and had numerous honors bestowed upon him, including a star on the Hollywood Walk of Fame. He has had a tulip and daffodil named after him in Holland. He had a new species of Wasp named after him too. He has sold over 70,000,000 records around the world, and in his music room can be seen a most impressive array of wall-to-wall gold, platinum, and double-platinum records. He has recorded over 600 individual songs including the different versions of some, which can be found on 155 albums, CD's and hundreds of 78's, 45's and cassettes. His fan club, "The Slim Whitman International Appreciation Society" began in 1970 and disbanded in 1996 and was one of the largest and oldest in the world incorporating England, Holland, Australia, and the United States.

Slim Whitman always has something going on somewhere in the world. His 101st CD was just recently released. The last three of Slim's Australian EMI albums all made the charts. Slim and son Byron's duet album "Magic Moments" hit the number 12 position.

Slim's music saved the world from Martian invaders in the Tim Burden sci-fi spoof "Mars Attacks." This was the forth movie that spotlighted Slim's music. The first being the 1957 black and white Rock 'n Roll classic "Disc Jockey Jamboree," which features Slim singing at the London Palladium. Next came the movie "Who'll Stop the Rain." The third one was "Close Encounters of the Third Kind."

It has been said that Slim Whitman's music is like a mountain stream, sparkling in the sunlight, reliant through the changing seasons, always clear and friendly — a sanctuary to escape to and quietly reflect on things in life that really matter. Slim Whitman is truly an international living legend of Country Music.

Credits & Sources

  • Hillbilly-Music.com wishes to thank Loren Knapp for providing the bulk of Slim Whitman's biography for the site. You can visit the Slim Whitman Collectors International using the link provided.

Related Web Links

Slim Whitman Collectors International

Appearance History This Month

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Recordings (78rpm/45rpm)

Rec. No. Side Song Title
  66181 A I Remember You
  8147 A Cold Empty Arms
  8147 B In A Hundred Years Or More
  8156 A Indian Love Call
  8156 B China Doll
  8163 A By The Waters Of The Minnetonka
  8163 B An Amateur In Love
  8169 A My Heart Is Broken In Three
  8169 B Keep It A Secret
  8180 A How Can I Tell
  8180 B All That I'm Asking Is Sympathy
  8189 A Restless Heart
  8189 B Songs Of The Old Water Wheel
  8201 A There's A Rainbow In Every Teardrop
  8201 B Danny Boy
  8208 A Darlin' Don't Cry
  8208 B Northwind
  8223 A Why
  8223 B Secret Love
  8236 A We Stood At The Altar
  8236 B Rose Marie
  8281 A Cattle Call
  8281 B When I Grow Too Old To Dream
  8290 A Roll On Silvery Moon
  8290 B Haunted Hungry Heart
  Unknown-1 A Singing Hills
  Unknown-1 B I Hate To See You Cry
Rec. No. Side Song Title
  HL-8141 (Eng) A Roll On Silvery Moon
  HL-8141 (Eng) B Haunted Hungry Heart
  HL-8350 (Eng) A There's A Love Knot In My Lariat
  HL-8350 (Eng) B I'm Casting My Lasso Towards The Sky
  HL-8403 (Eng) A Careless Love
  HL-8403 (Eng) B I'll Take You Home Again, Kathleen
Rec. No. Side Song Title
  1119 A Restless Heart
  1119 B Song Of The Old Water Wheel
  1140 A Danny Boy
  1140 B There's A Rainbow In Every Tear Drop
  1227 A We Stood At The Altar
  1227 B Rose Marie
  1267 A Ride Away
  1267 B Beautiful Dreamer
  1437 A Tell Me
  1437 B Tumbling Tumbleweed
  1518 A The Whiffenpoof Song
  1518 B Dear Mary
RCA Victor
Rec. No. Side Song Title
  20-5431 A I'm Casting My Lasso Towards The Sky
  20-5431 B There's A Rainbow In Every Teardrop
  20-5557 A Wabash Waltz
  20-5557 B Birmingham Jail
  20-5724 A I'll Never Pass This Way Again
  20-5724 B Please Paint A Rose On The Garden Wall

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