Al Rogers was born July 24, 1926, in the small town of West Mifflin, Pennsylvania.
Some articles have noted it was Bull Run or even a town called Homeville. But
Al sent us a biographical writeup and indicated it was West Mifflin.
His musical interest was sparked at the age of nine when his father bought him a banjo;
Al was able to take lessons to help learn the instrument.
His father must have noticed his son's musical talents and interest. When Al was twelve,
his father purchased a used guitar at a local pawn shop. That guitar was a Christmas
present to Al. It didn't take long for Al to master; he learned to play it quickly,
with very little instruction.
In a 1947 article, we learn that he formed his first band when he was just 12 years old.
The boys would entertain the local folks with their young country music sounds
at various community events as well as occasionally at theatres and parks.
Al was pretty confident of his talents, even at the age of fourteen. He wrote
to Rusty Herman, an entertainer he had heard an Radio Station WKPA in New Kensington,
Pennsylvania. To Al's surprise, Rusty showed up at his home for a personal audition.
This resulted in an offer for Al to play in Rusty's band on weekends,
subject to his father's consent.
Al's professional career in Country Music began at that time; with his rather driving
his to and from his weekend gigs. By the time he was sixteen, he already had his own
successful radio show, along with his sister, Millie, who sang and played Bass on
Station WKPA in New Kensington.
During World War II, Al enlisted in the U. S. Air Force and was assigned to Special Services
and entertained the troops in the South Pacific, the Philippines and Okinawa. After
his discharge in 1946, he auditioned and was given a daily radio show on WJAS in
Pittsburgh, Pennsylvania, playing his guitar and singing. His high ratings attracted a
top sponsor from St. Louis, Missouri, Groves Laboratories. As a matter of fact,
Al's ratings were higher than Arthur Godfrey, who followed Al on the station with
his CBS Show. A member of his fan club, Mildred Stinner, wrote Floy Case to let her know that Al's shows
over WJAS were on each morning at 7:15am.
Floy Case reported in December of 1945 that she was hearing the man who was called then
"The Golden Voice of the West" over KGNC in Amarillo. She notes that he had just arrived
on the scene there from a stint at WJAS in Pittsburgh. Readers were also told that he
had a band still working at WWSW as well. He was planning on staying in the Texas
panhandle area a while before returning back to Pittsburgh.
Another columnist, Mary Jean Shurtz, wrote in one of articles of how she got to meet
Al back in 1946. It perhaps shows you how the media and the artists were back then,
a bit more like family and friend, getting together informally when the chance arose.
Mary Jean had told Chaw Mank, a fan club president like no other, that she was traveling
around to meet a few of the acts in the Ohio and Pennsylvania area. Chaw told his cousin
in Pittsburgh to make sure Al Rogers was there when she arrived. Indeed he was
as well as the female singer on his shows at the time, Betty Pearl. Mary Jean noted
that they had a grand time, talking most of the night and well, Al probably had to rush
to make it to the WJAS studios in time to make his early morning show.
We can perhaps fast forward to the new century and note, that perhaps the internet
and email has replaced those informal gatherings between artist and journalist / writer.
That meeting led to a feature article by Mary Jean in another publication. She gushed
over the fact that fans had told her about this new singer on WJAS and how good he was.
But she noted, they "...never wrote half of what a good singer he was...there aren't' words
to express the quality of his singing."
She tells us of Al's experience in Amarillo prior to coming to WJAS. He seemed to have
clicked with the listeners on KGNC. His fan mail set a record in terms of the coverage
it was coming from. Fans as far away as 10,000 miles were writing him at the station.
The listeners began to know him as "The American Folk Balladeer".
She gives us further details of his radio schedule - the 7:15am show was six mornings a
week. On Mondays, Wednesdays and Fridays, he was on the air at 11:30am as well. Chaw Mank
wrote in a 1947 article that one of Al's sponsors on the show was Groves Laboratories.
Al would entertain his listening audience with not only his singing, but according
to Ms. Shurtz, he knew how to do recitations in the form of poetry on his shows as well.
She closed her article by telling fans, "He's big time material and doesn't need
any finishing touches."
Al would have guests on his show at WJAS on occasion; one popular group that was on
his show was the legendary Sons of the Pioneers.
After he left Pittsburgh, he moved east to radio station WSAZ in
Huntington, West Virginia. He wrote one of the magazine columnists in 1948
that he had just appeared on Nelson King's WCKY Jamboree. Ms. Shurtz
noted that Al's show at WSAZ , the Western Hayride,
was no small affair - it included a troupe of 22 entertainers!
They were known for doing personal appearances at many of the large county fairs
back in that area - Adams County, Highland County as well as the major
"Tobacco Fairs" back then. One of his sponsors over WSAZ was Gwinn Brothers Flour Mills.
While in Huntington, his radio shows aired each day Monday through Saturday at 6:45am
and 1:00pm and on Saturdays, he also appeared at noon.
On December 7, 1947 - Pearl Harbor Day, Al was part of a large group of entertainers
who were going to entertain folks as part of a benefit concert for blind singer,
Bob Hall. Jenny Via reported that "every act in the city" was going to appear
at the city auditorium for the event. The artists were not going to accept any
money for their appearance. All of the proceeds from the show were to go to purchase
a seeing eye dog along with three months training for Bob and his dog.
Some of the
other entertainers Al was going to share the stage with were Bobby Cook and the
Texas Saddle Pals; Al Hendershot and his Dixie Ramblers; the armless musician,
Ray R. Myers; Fred and Ollie Cook and their Skyline Patrol; Jimmie Skinner;
Ray Lunsford and others. One article notes that the dog, three months training
and transportation to and from Morristown, New Jersey where the dogs were raised
and trained cost over $150 back then. Another article notes that the matinee
performance that day was opened by none other than Hawkshaw Hawkins.
Mickie Steph LaRue told fans that Al and his Rocky Mountain Boys had a car accident
during one of their journeys to or from a personal appearance while working
for WRFD in Worthington, Ohio. But luckily, no one was injured, though she
wrote the car was banged up pretty good. Mary Jean Shurtz tells readers that Al
told her it happened when a truck ran a red light and turned their car over three
While playing in a band at a high school prom, he net his future wife, Betty Ross,
of Munhall, Pennsylvania. After a year of courtship, they were married on May 20, 1947.
We should also point out that Betty also shared the stage with her husband
at times using the stage name of Betty Pearl.
Al organized his first band, and they all hit the road together, headed for
Huntington, West Virginia. Post-war bookings were sparse, but Al managed to do
his own bookings and promotions. At that time, he also had an early
morning radio show with is band at WHTN in Huntington, West Virginia, Kentucky and
Al's determination, and above all, his hunger for success, kept him booking schools,
ball parks, fairs and theaters, or anything else that was available, but the
years of struggle with the band proved to be too much, and he decided to go it alone.
Along about 1949 or so, Al was the stage manager for a country music venue, Hillside
Park. Betty Pearl was a part of his act at that time and one columnist noted that
she hadn't seen Al do his comedy routine yet, though had heard good reviews about
his efforts. Around this time, we read where Al and his group were touring in a new
Chrysler Town and Country automobile.
Al and Betty moved to WRFD in Worthington, Ohio, for a short time, but then went
on to Louisville, Kentucky, where he landed a daily radio program and a weekly
television show on WAVE Radio and Television.
The columnists seem to learn the most personal of details. We learned in one column
that Betty Pearl had her tonsils removed in 1949.
In 1949, Mary Jean Shurtz wrote in the Buddy Starcher fan club newsletter that
Al was touring on behalf of the International Harvester company through March of 1949.
Betty was a part of the troupe as well, playing bass. The show was based
out of Louisville, Kentucky and took them throughout Kentucky,
Ohio and Indiana. She noted that Al had signed a recording contract with a record label
but she may have had the label name incorrect at that time.
While at WAVE, Al decided to try his luck at getting a recording contract. He went
to Nashville and auditioned for Fred Rose of Acuff-Rose Publications.
This was what he termed the break of his lifetime. Al auditioned for Fred and after singing
only a few lines of a song, Fred stopped him and said, "I'll have you a contract within
Two days later, Al got a telephone call from Fred Rose telling him that he was now an
MGM Recording Artist.
Al's first recording session for MGM was the following Sunday—less than a week after
his audition with Mr. Rose. He was elated; to him, this was one of the happiest times of his life.
That first recording session included some of the greatest musicians
in the business at the time—Chet Atkins
on guitar, Harold Bradley on guitar, Owen Bradley
on piano and Tommy Jackson on fiddle.
Among his popular recordings on MGM were, "Forever Isn't Long Enough To Love You",
"Deep Water", "Gee But It's Loneomse Out Tonight",
"It Wouldn't Be the Same Without You".
His records were well received according to Billboard Magazine and the "Disc Jockey Pick"
charts. Several of his recordings were on the hit charts at WWVA in Wheeling, West Virginia,
WJJD in Chicago, Illinois, WPAT is Patterson, New Jersey, and WVOK in Birmingham, Alabama,
as well as other cities across the nation.
Louisville was a hotbed of country music activity back then. Randy Atcher would
come on the scene with the Old Kentucky Barn Dance as well as his long running television
series, the T Bar V Ranch for kids. Country Music Hall of Famer Pee Wee King had a
show on WAVE as well when Al was working for the station.
Al's second career break came when J. L. Frank, one of the all time
great managers of country music artists asked if he would like to join the radio station WSM's famous
Grand Ole Opry in Nashville, Tennessee. "You bet I would", Al said.
Like many country music stars of that era, he had dreamed of being on the Opry;
Al was one of the few to realize that ambition. He commuted
from Louisville to Nashville every Saturday night to appear in front of the
Grand Ole Opry audiences at the Ryman Auditorium.
He kept his radio and television shows on WAVE in Louisville, Kentucky.
Al tells us that Lew Childre was the person who first introduced him
on stage at the Ryman Auditorium to the Opry audience.
His next move was to WMPS in Memphis, Tennessee, where he opened the "Hi Noon Roundup".
That show would have guests such as the Blackwood Brothers and other artists.
Other Radio and Television
Shows followed at KGNC in Amarillo, Texas, WOAI in San Antonio, Texas and KVOA in
In 1950, Country Song Roundup featured Al in one article, picking him as a "Star for 1950".
Al and Betty decided to settle in Amarillo in 1950. In 1952 their first daughter,
Joanne (Jodi), was born. In 1957, their second daughter, Kathy, was born. For the next
thirty years Amarillo was home for the Rogers family. During those years he had a very
popular TV series that he produced and starred in, called The Panhandle Barn Dance".
The Amarillo audiences seem to adopt Al as one of their own native sons; the longevity of
his show is testament to that as well as his ability to feature the famous acts of the
day when they came through Amarillo such as Roger Miller, Brenda Lee, Little Jimmy Dickens
A 1952 article in Cowboy Songs indicates that Al and his Rocky Mountain
Boys were being heard daily at 7:15am for half an hour. Then Al had
his own disc jockey show from 5:35am to 6:00am, Monday through Friday
as well as on Saturdays from 2:00pm to 3:00pm. But the article doesn't
indicate what station he was at, but we might infer it was KGNC in Amarillo
as he had moved there in 1950 to settle down.
Country Song Roundup also reported in 1952 that he had been named one of the top
Western band leaders by the Orchestra World magazine.
He also owned his own night club with the same name, where he and his band entertained
a full house of fans each night. Years later, he opened another club in Amarillo called
the Sipango Club where he performed as a solo artist, and was still very popular.
In March of 1984, the Board of Directors of the Country Music Foundation elected Al
to the Country Music Hall of Fame Walkway of Stars. The installation ceremony was held on
June 15, 1984.
Today Al lives with his wife Betty by the beautiful sea at Rockport, Texas, a quiet and
peaceful community where he writes and records in his own studio.
Weekends you'll find him playing and singing at the Key Allegro Yacht Club, overlooking
beautiful Aransas Bay.
Credits & Sources
- Hillbilly-Music.com would like to express its appreciation
to Al Rogers himself for contacting us and providing us with details about
his career and photos as indicated.
- The Mountain Broadcast and Prairie Recorder;
December 1945; Mountain Broadcast Pub. Co., Inc.; New York, NY
- The Mountain Broadcast and Prairie Recorder;
March 1946; Mountain Broadcast Pub. Co., Inc.; New York, NY
- National Hillbilly News; April 1947; Poster Show Print Co.; Huntington, WV
- National Hillbilly News; May 1947; Poster Show Print Co.; Huntington, WV
- National Hillbilly News; November - December 1947; Vol III No. 2;
Mr. and Mrs. Orville Via; Huntington, WV
- The Mountain Broadcast and Prairie Recorder;
January 1947; Mountain Broadcast Pub. Co., Inc.; New York, NY
- The Mountain Broadcast and Prairie Recorder;
February-March 1947; Mountain Broadcast Pub. Co., Inc.; New York, NY
- National Hillbilly News; January - February 1948; Mr. and Mrs. Orville Via;
- National Hillbilly News; March - April 1948; Mr. and Mrs. Orville Via;
- National Hillbilly News; May - June 1948; Mr. and Mrs. Orville Via;
- National Hillbilly News; November - December 1948; Mr. and Mrs. Orville Via;
- National Hillbilly News; January - February 1949; Mr. and Mrs. Orville Via;
- National Hillbilly News; March - April 1949; Mr. and Mrs. Orville Via;
- National Hillbilly News; May - June 1949; Vol. 4 No. 5; Mr. and Mrs. Orville Via;
- National Hillbilly News; July - August 1949; Mr. and Mrs. Orville Via;
- National Hillbilly News; September - October 1949; Mr. and Mrs. Orville Via;
- Buddy Starcher Fan Club Newsletter; Vol. 1 No. 1; Jan - Feb - Mar 1949;
- Country Song Roundup No. 6; June 1950;
Charlton Publishing Corp.; Derby, CT
- Country Song Roundup No. 17; April 1952;
American Folk Publications, Inc.; Derby, CT
- Cowboy Songs No. 21; July 1952; American Folk
Publications, Inc.; Derby, CT
- Rustic Rhythm; July 1957; Rustic Rhythm, Inc.;
New York, NY