Mervin Shiner was a native of Bethlehem, Pennsylvania.
He wrote in a 1955 article that he was just thirteen years
old when his mom began teaching her son the art of
showmanship, performing in front of audiences, the fundamentals
of singing in close harmony. She was an accomplished singer in her own right.
And she also taught him another lesson - to always smile and be humble.
We happened to have the good fortune to speak with Mr. Shiner in June of 2006
to learn a bit more about his career. We'll share some of that conversation along
with what we've learned from articles in the past.
Mervin mentioned that they were successful in singing duets together
and for a time, one of the few such acts was around a son / mother act.
It was known as "Mervin Shiner and his Mother".
We should interject here a bit of Merv's career as he told the readers
in 1955 when he was with the RCA Victor label. He attributes his first
big performance break to his mom when they auditioned at a country-style
music show on a Sunday night for radio station WEST out of Easton, Pennsylvania.
Merv tells the readers he couldn't forget how nervous he was that night. But
mom always knows how to calm those nerves and told Merv that things
would go alright for the two of them.
They must have did okay and soon became favorites and regulars on that show.
In 1942, he moved out west to Los Angeles, California where he worked
in a defense plant and managed to do various spots as a single act, too.
Merv maybe felt His career was in rut, so he went back to Pennsylvania and his career
began to happen a bit. He made a number of radio appearances over
radio station WFIL in Philadelphia and WCBA out of Allentown, Pennsylvania.
He was able to also appear on several television shows out of New York
City and that landed a recording contract with Decca records.
During his time at Newark, he was given a business card and told to call
a song writer in New York who was working with the Southern Publishing Company. A fellow
by the name of Vaughn Horton. (Mr. Horton is in the Songwriter's Hall of Fame.)
Vaughn helped the young singer out and was instrumental in Merv getting a recording
contract with Decca Records.
One day, his producer at Decca, Paul Cohen, gave him a tune to listen to. It was just
a guy and his piano. At first Merv didn't want to do the song, he thought of himself
as a country singer, not a singer of kids' tunes. But his producer told him, you cut
this and we'll have a hit. The tune was the timeless tune, "Peter Cottontail."
Ozark Ed Burton wrote in his disc jockey round-up column back in 1950 that Decca
considered Merv one their highest rated artists based on that record and were
expecting big things from him.
Cowboy Songs wrote a review of Merv's recording with Grady Martin for Decca. They
described the tune, "Let's Take A Trip To The Moon" as a "...hustling bouncy tune
with a cute set of lyrics; and it's taken for a merry spin around the wax
by Mervin." The other side of that disc was a tune called "Almost" which the column
duly noted that Merv "...delivers warmly and with plenty of feeling."
Merv wrote in 1955 that he got word that Dave Miller over at WAAT-TV in Newark,
New Jersey was looking for talent to appear on his television show. Merv and his
mother auditioned and earned themselves a spot on the show. Merv proudly notes
that at that time, his mother was already 61 years old. He told the readers
that she had a beautiful contralto voice and as some things do, her voice
got better as she grew older. Merv writes that his mom passed away in 1953, just
about the time he had signed a recording contract with RCA Victor.
In a November 1953 article, Mervin is shown on the move to radio station WWVA in Wheeling
and becoming a member of the famed World's Original Jamboree show. At that time, he
had also switched from the Decca records label to the Coral label.
In 1954, the Cleveland, Ohio area had a popular show for the fans in that area
known as the Hillbilly Jamboree that was held at the Circle Theatre. Two of the local
artists, Glen Campbell (not the latter day entertainer) and Tex Clark often wrote
of this show. In 1954, they wrote that each week the show would bring in an out of
town performer as part of the regular program. It seems that quite a few of the WWVA
Jamboree stars made their way to Cleveland as they mentioned Merv and others such
as Big Slim and Roy Scott and his Country Harmony Boys,
Hal Lone Pine, Betty Cody and Hawkshaw Hawkins.
Pee Wee King noted in 1954 in his Country Song Roundup column that his regular television
show over WEWS-TV in Cleveland included an appearance by Merv as well among
other guests that included stars from the WLS National Barn Dance and the Grand
Another tidbit about Merv shows up in Max Henderson's 1954 column when he mentioned
that he had just heard that Merv was going to record one of Max's tunes for
Coral Records, "Heartbreaking Waltz".
In the summer of 1955, Merv was going to be one of the first headliners at
a new Country and Western music park known as the A-Bar-C Ranch in Lakewood, New Jersey that was owned
by a former entertainer, Al Coombs. Smokey Warren, famed New Jersey artist, was
to be the mainstay every Sunday along with Rusty Starr and his Western Ramblers.
In fact, Bobby Gregory wrote in his regular "Your Favorites and Mine" column
in Cowboy Songs that Merv was going to be the opening act. Bobby also mentions
that Smokey was handling the booking of the acts at the venue.
Smokey Warren and Merv must have kept in touch during this era. Smokey made mention
of Merv and his doings several times in his columns. Smokey tells his readers
in 1955 that Merv completed an eight-week engagement at the Bermuda Tavern
in Toronto, Ontario in Canada and had also appeared at the Brass Rail for four
weeks in London, Ontario.
Smokey again wrote in 1956 that Merv was again in Toronto starting December 17, 1956
and was to entertain the folks at the Le Coq Dor until Smokey's group was to
start on January 14, 1957.
Merv continued to perform and tour the country. Max Henderson told his readers
in a September 1957 column for Rustic Rhythm that he had worked with "...that
personable, friendly showman, Merv Shiner" at the Sunshine Club in Flint during
Merv's swing through the area and later Merv went on to entertain the folks
up in Saginaw as well.
In the summer of 1965, Country Music Review reports in a news release that the Hawkins
Country Memorial Hospital Auxiliary was going to avail itself of the talents of
some Nashville entertainers to help raise funds as part of its annual benefit
festivities. Scheduled to appear on July 3, 1965 in Rogersville, Tennessee
were Archie Campbell, George Morgan and his band, the Candy Kids, Delores Smiley
and 'extra attraction', Merv Shiner. The release cited some of Merv's big hits
up to that time and his appearances on the Grand Ole Opry and the Jubilee USA
show hosted by Red Foley. Merv also appeared in the movie, "Second Fiddle
To A Steel Guitar".
As we turn the pages of history, we find that Hank Williams, Jr. tells readers
in a 1967 article that Merv was managing his own publishing company at
the time, Ly-Rann.
And while we're on the subject of songwriting, Merv did a fair share of that
as well in his career. Perhaps one of his best known tunes is one he co-wrote with
Jerry Monday, "We Had All The Good Things Going" that was a hit for Jan Howard back in 1969.
He also co-wrote "Woman Of The World" that Loretta Lynn had a hit on. Another tune he co-wrote was
"If You Had Only Taken The Time" with Kent Westberry that was recorded by Charley
Pride on one of his early albums.
Merv told us of the fun he had recording an album of love songs that he did just
for his wife back around 2004 or so. He went to Nashville for about a week back
then and stayed with his friend Jack Clement. He told Jack what he wanted to
do and Jack let him have the run at his studio. Merv told Jack on one tune
he thought he needed a dobro sound and Jack himself picked up the dobro
and added the background for Merv.
During that visit, Merv and Jack decided to record a conversation of the history
they were a part of in the hey day of country music's history and how they
were a part of it in one way or another. Merv tells us of his visit to the famed
Studio B that RCA Victor had in Nashville and telling the folks there that he
was actually a part of that history. They had the wise ability to make sure
Merv didn't leave before they got him to tell them about his times in that
We included several comments about how likable and friendly Merv was in this commentary
and after talking with Merv, we can say in this instance, those weren't just some
press release someone put together. Merv is a genuinely, friendly down-to-earth
person that you would enjoy sitting around your kitchen table with and sharing
a cup of coffee or tea and a few stories for a few hours. The biggest kick we
got was getting a voice mail from him while we played phone tag before talking
with him and hearing him do a line or two of "Peter Cottontail".
During our conversation with Merv, he notes that he's never done an interview
without mentioning his mom, who taught her son well. Merv noted in that 1955
article he wrote as part of a big RCA Victor salute that he owed all his success
and happiness to his mom and she was his favorite partner. And we would be willing
to bet his wife would be not too far behind.
Credits & Sources
- Hillbilly-Music.com wishes to thank Merv Shiner himself for graciously
allowing us to interview him to help document his career.
- Country Song Roundup No. 5; April 1950; Charlton Publishing Corp.;
- Country Song Roundup No. 7; August 1950; Charlton Publishing Corp.;
- Country Song Roundup No. 8; October 1950; Charlton Publishing Corp.;
- Cowboy Songs; Issue No. 22; September 1952; American Folk Publications;
- Hoedown; November 1953; Vol. 1 No. 3; Artist Publications, Inc.;
- Cowboy Songs; Issue No. 33; May 1954; American Folk Publications, Inc.;
- Cowboy Songs; Issue No. 34; June 1954; American Folk Publications, Inc.;
- Country Song Roundup No. 34; September 1954; American Folk Publications, Inc.;
- Country & Western Jamboree; April 1955; Country and Western Jamboree, Inc.;
- Country & Western Jamboree; June 1955; Country and Western Jamboree, Inc.;
- Country Song Roundup No. 39; July 1955; American Folk Publications;
- Cowboy Songs; Issue No. 42; August 1955; American Folk Publications, Inc.;
- Country & Western Jamboree; November 1955; Country and Western Jamboree, Inc.;
- Country & Western Jamboree; December 1956; Maher Publications, Inc.;
- Rustic Rhythm; Vol. 1 No. 6; September 1957; Rustic Rhythm, Inc.;
New York, NY
- Country Music Review; September 1965; Cal-Western Publications,
Inc.; Anaheim, CA
- Country Songs & Stars; Issue No. 89; July 1967; Charlton Publications Corp;